Act One

Written by James Lapine
from the autobiography by Moss Hart
Directed by James Lapine

Lapine adapts the memoir of Broadway legend Moss Hart for the stage, rendering a funny and touching portrait of the artist as a young man. Narrated by the older Moss Hart, the play traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director. The play also depicts Hart's meeting and collaboration with George S. Kaufman and ends with the production of the Hart-Kaufman successful play, Once in a Lifetime in 1930.

Act One

Written & Directed by James Lapine

The Vivian Beaumont Theater in Lincoln Center
March 20, 2014 – June 15, 2014

Photos by Joan Marcus and Sarah Krulwich

  • Written by James Lapine
    From the autobiography by Moss Hart
    Original Music by Louis Rosen

    Directed by James Lapine
    Choreographed by Mimi Lieber
    Associate Director: Wes Grantom

    Scenic Design by Beowulf Boritt
    Costume Design by Jane Greenwood
    Lighting Design by Ken Billington
    Sound Design by Dan Moses Schreier
    Hair and Wig Design by Tom Watson
    Make-Up Design by Jon Carter
    Associate Scenic Design: Alexis Distler
    Associate Costume Design: Daniel Urlie
    Associate Lighting Design: John Demous
    Associate Sound Design: Joshua Reid

    General Manager: Jessica Niebanck
    Company Manager: Matthew Markoff
    Associate Gen. Mgr: Meghan Lantzy
    Assistant Co. Mgr: Jessica Fried

    Production Stage Manager: Rick Steiger
    Production Manager: Jeff Hamlin
    Associate Prod. Mgr: Paul Smithyman
    Assistant Stage Mgr: Janet Takami and Christopher R. Munnell

    Produced by Lincoln Center Theater (André Bishop: Producing Artistic Director; Adam Siegel: Managing Director; Hattie Jutagir, Executive Director of Development and Planning)

    General Press Representative: Philip Rinaldi
    LCT Director of Casting: Daniel Swee
    LCT Director of Marketing: Linda Mason Ross
    Dialect and Vocal Coach: Deborah Hecht
    Fight direction by Thomas Schall
    Advertising: SPOTCo, Inc.
    Marketing: SPOTCo, Inc.
    Digital: SPOTCo, Inc.
    Photographer: Joan Marcus
    Videographer: Fresh Produce Productions

  • Santino Fontana: Moss Hart

    Andrea Martin: Aunt Kate, Frieda Fishbein, Beatrice Kaufman

    Tony Shalhoub: Moss Hart, Barnett Hart, George S. Kaufman

    Matthew Schechter: Moss Hart, Bernie Hart  

    Bill Army: Eddie Chodorov

    Will Brill: David Allen, Dore Schary, George (Once In a Lifetime)

    Laurel Casillo: Roz, Mary

    Chuck Cooper: Wally, Charles Gilpin, Max Siegel

    Steven Kaplan: Irving Gordon, Pianist

    Will LeBow: Augustus Pitou, Jed Harris

    Mimi Lieber: Lillie Hart, Helen (Once In a Lifetime)

    Charlotte Maier: Phyllis, Aline MacMahon, May (Once In a Lifetime)

    Deborah Offner: Belle, Mrs. Rosenbloom

    Matthew Saldivar: Joseph Regan, Jerry (Once In a Lifetime)

    Bob Stillman: Priestly Morrison, Sam Harris, Pianist

    Amy Warren: Mrs. Henry B. Harris, Jean Dixon, May (Once In a Lifetime)

    Ensemble: Bob Ari, Noah Marlowe, Greg McFadden, Lance Roberts, Wendy Rich Stetson Jonathan Spivey

    Understudies: Bob Ari (Augustus Pitou, Barnett Hart, George S. Kaufman, Jed Harris, Moss Hart), Steven Kaplan (Moss Hart), Noah Marlowe (Bernie Hart, Moss Hart), Greg McFadden (Jerry, Joseph Regan, Priestly Morrison, Sam Harris), Lance Roberts (Charles Gilpin, Max Siegel, Wally), Jonathan Spivey (David Allen, Dore Schary, Eddie Chodorov, George, Irving Gordon), Wendy Rich Stetson (Aline MacMahon, Jean Dixon, Mary, May, Mrs. Henry B. Harris, Phyllis, Roz) and Amy Warren (Frieda Fishbein)

Licensing

Act One is available for licensing through Dramatists Play Service

Awards, Reviews & Features

2014 Tony Awards

Received five Tony Award nominations, including Best Play

Winner of Best Scenic Design (Beowulf Boritt)

2014 Outer Critics Circle Award

Nominated for Outstanding New Broadway Play


[‘Act One’] brims contagiously with the ineffable, irrational and irrefutable passion for that endangered religion called the Theater. Or, more specifically, the exacting subset of that creed, the Theater as it is practiced in the Holy Land of Broadway, which this spring has tested the fortitude of its disciples. ‘Act One’ critically reminds us, at a moment when it’s easy to forget, of why so many of us fell head over heels for this cockamamie faith to begin with.”

Ben Brantley for The New York Times

*New York Times Critic’s Pick*

“'Act One' is a nostalgic and ultimately upbeat reflection on fulfilling a dream… Lapine captures that essence and the period, on the page and on the stage…”

Elyse Gardner, USA Today