A New Brain

Music & Lyrics by William Finn
Book by James Lapine

A New Brain deals directly with Finn’s own harrowing experience suffering a brain seizure and being hospitalized. During this painfully difficult time, his doctors could not immediately pinpoint the cause of the seizure and were not sure if he would survive. Finn also feared that, even if he lived, he still might lose his ability to write. From such dire source material came this surprisingly joyous and funny musical about songwriter Gordon Schwinn. Bolstered by the support of his mother, his boyfriend Roger and many other good friends, Gordon finds the courage to confront his mortality and allow his doctors to perform the necessary surgery. In life and on stage, thankfully, there is a happy ending.

A New Brain (Original Broadway)

Mitzi E. Newhouse Theater at Lincoln Center‍
June 18, 1998 - August 23, 1998

Photos by Joan Marcus

A New Brain (Encores! 2015)

New York City Center Encores! Off Center Series
June 24, 2015 – June 27, 2015

Photos by Joan Marcus and Sara Krulwich/New York Times

Reviews & Features

“A New Brain, the killer musical about a songwriter facing a life-threatening brain condition, could only have been written by William Finn… When Finn accepted his two Tony awards for Falsettos in 1992, he was already suffering from what he’d been told was an inoperable brain tumor… The musical itself began during his recovery, when James Lapine, his Falsettos book writer, insisted that he make notes about what he was experiencing. After the success of surgery… those notes organized themselves into songs that explored the unexpected gift of survival and the problem of creativity. Originally performed in revue format, the songs eventually became the basis of the more ambitious and nearly sung-through work, with a book by Lapine, that Lincoln Center Theatre produced in 1998 and… then there is the production, directed swiftly and simply by Lapine and cast nearly to perfection.”

Jesse Green for Vulture, 2015

“This quirky and intensely personal 90-minute work about Finn's own life-and-death medical crisis is practically sung-through. A few musical gems pop up in a score chockablock with character-driven songs, novelty numbers, pretty ballads and unexpected, grin-inducing rhymes (‘elbow/hell no’)... But the show rises or falls on Gordon. And Groff brings empathy, confidence and ease.”

Joe Dziemianowicz for New York Daily News, 2015