Dirty Blonde

Written by Claudia Shear
Conceived by Claudia Shear & James Lapine
Original song “Dirty Blonde” by Bob Stillman
Directed by James Lapine

Dirty Blonde, a comedy with music, explores the legendary Mae West, one of America's most enduring and controversial pop culture icons. The play, which draws its title from the West film quip "I made myself platinum, but I was born a dirty blonde,” tells the story of two lonely and obsessive West fans who meet at her grave and form a unique relationship as they bond over the woman they worship. This is played out against a re-enactment of the sometimes equally strange turns of West’s showbiz career.

Dirty Blonde

The Helen Hayes Theater

May 1, 2000 - March 4, 2001
Ran for 352 Performances

The play premiered Off-Broadway at the New York Theatre Workshop on January 10, 2000, running until February 13, 2000

Photos by Joan Marcus

Awards, Reviews & Features

2000 Tony Awards

Nominated for Best Play, Best Direction of a Play

and Nominated for Best Actress in a Play (Shear) & Best Featured Actor in a Play (Stillman & Chamberlin)

2000 Drama Desk Awards

Nominated for Outstanding Play & three other awards


“[Shear & Lapine] conceived the show together, and Lapine’s light-handed, fleet-of-foot direction perfectly complements Shear’s snappy script. ‘Dirty Blonde’ never digs deep, but it covers a lot of colorful territory in its brief running time.”

Frank Wallace for Variety (May 2000)

FUN FACT:

Dirty Blonde is one of few plays in Broadway history to have had its entire cast nominated for Tony Awards.

“Shaped with remarkable fluidity and inventiveness, 'Dirty Blonde' presents one of the canniest portraits on record of that floating dialogue between icons and idolizers that remains so much a part of American culture. What's more, it does so without the usual tut-tutting, instead making a persuasive case for star worship as a healthy religion…Conceived by Ms. Shear and the show's director, James Lapine, who does his best work in years here… the moment is one that could be achieved only in the theater, and while 'Dirty Blonde' may celebrate a movie star, it also celebrates theater.”

Ben Brantley for The New York Times (2000)