Dirty Blonde

Written by Claudia Shear
Conceived by Claudia Shear & James Lapine
Original song “Dirty Blonde” by Bob Stillman
Directed by James Lapine

Dirty Blonde, a comedy with music, explores the legendary Mae West, one of America's most enduring and controversial pop culture icons. The play, which draws its title from the West film quip "I made myself platinum, but I was born a dirty blonde,” tells the story of two lonely and obsessive West fans who meet at her grave and form a unique relationship as they bond over the woman they worship. This is played out against a re-enactment of the sometimes equally strange turns of West’s showbiz career.

Dirty Blonde

The Helen Hayes Theater

May 1, 2000 - March 4, 2001
Ran for 352 Performances

The play premiered Off-Broadway at the New York Theatre Workshop on January 10, 2000, running until February 13, 2000

Photos by Joan Marcus

  • Written by Claudia Shear

    Conceived by Claudia Shear and James Lapine

    Directed by James Lapine

    Theatre Owned / Operated by Martin Markinson and Donald Tick

    Produced by The Shubert Organization (Gerald Schoenfeld: Chairman; Philip J. Smith: President; Robert E. Wankel: Executive Vice President), Chase Mishkin, OSTAR Enterprises and ABC, Inc.; Produced in association with New York Theatre Workshop

    Music arranged by Bob Stillman

    Musical Director: Bob Stillman

    Original song "Dirty Blonde" by Bob Stillman

    Featuring songs by Garret Frerichs and Oezlem Cetin

    Featuring songs with lyrics by Ben Ellison and Gladys Dubois

    Musical staging by John Carrafa

    Associate Director: Gareth Hendee

    Assistant Choreographer: Rachel Bress

    Scenic Design by Douglas Stein

    Costume Design by Susan Hilferty

    Lighting Design by David J. Lander

    Sound Design by Dan Moses Schreier

    Wig Design by Tom Watson

    Assistant Scenic Design: Antje Ellermann

    Assistant Costume Design: Linda Ross

    Assistant Lighting Design: Brenda Dolan

    Assistant Sound Design: Catherine D. Mardis

    General Manager: Albert Poland

    Company Manager: Bruce Klinger

    Production Stage Manager: Leila Knox

    Technical Supervisor: Gene O'Donovan

    Additional casting by Ilene Starger

    Press Representative: Richard Kornberg and Don Summa

    Vocal Coach: Deborah Hecht

    Shubert Organization Creative Projects Director

    D.S. Moynihan; Advertising: SPOTCo, Inc.

    Mae West material courtesy of the Estate of Mae West by the Roger Richman Agency

  • Kevin Chamberlin: Charlie and others

    Claudia Shear: Jo, Mae

    Bob Stillman: Frank Wallace, Ed Hearn, and others

    Understudies: Paul Amodeo (Frank Wallace, Ed Hearn, and others), Kevin Carolan (Charlie and others), Nora Mae Lyng (Jo, Mae)


    Kathy Najimy replaced Shear on January 9, 2001. Tom Riis Farrell replaced Chamberlin on July 6, 2000.

Awards, Reviews & Features

2000 Tony Awards

Nominated for Best Play, Best Direction of a Play

and Nominated for Best Actress in a Play (Shear) & Best Featured Actor in a Play (Stillman & Chamberlin)

2000 Drama Desk Awards

Nominated for Outstanding Play & three other awards


“[Shear & Lapine] conceived the show together, and Lapine’s light-handed, fleet-of-foot direction perfectly complements Shear’s snappy script. ‘Dirty Blonde’ never digs deep, but it covers a lot of colorful territory in its brief running time.”

Frank Wallace for Variety (May 2000)

FUN FACT:

Dirty Blonde is one of few plays in Broadway history to have had its entire cast nominated for Tony Awards.

“Shaped with remarkable fluidity and inventiveness, 'Dirty Blonde' presents one of the canniest portraits on record of that floating dialogue between icons and idolizers that remains so much a part of American culture. What's more, it does so without the usual tut-tutting, instead making a persuasive case for star worship as a healthy religion…Conceived by Ms. Shear and the show's director, James Lapine, who does his best work in years here… the moment is one that could be achieved only in the theater, and while 'Dirty Blonde' may celebrate a movie star, it also celebrates theater.”

Ben Brantley for The New York Times (2000)