The Moment When

Written by James Lapine
Directed by Michael Lindsay-Hogg

The Moment When follows five people as their lives intertwine and separate. Steven, an artist, meets the writer Alice at a fashionable New York party hosted by Paula, a legendary literary agent. Paula’s young assistant, Dana, introduces herself to Alice and Steven, and the courses of the next fifteen years of their lives are set in motion. The play marks those moments in our lives that may pass unnoticed but determine who we become. The Moment When, while tracking the successes and failures of career, marriage, parenthood and friendship, also charts the life of Dana and Steven’s son, Charley, who begins his own trajectory towards fulfillment and loss.

The Moment When

Playwrights Horizons
March 21, 1999 - March 26, 1999

  • James Lapine, Playwright
    Michael Lindsay-Hogg, Director
    Playwrights Horizons, Producer
    Tim Sanford, Artistic Director
    Leslie Marcus, Managing Director
    David Van Tieghem, Music
    J. Allen Suddeth, Fight Director
    Eugene Lee, Set Designer
    Ann Roth, Costume Designer
    Yael Lubetzky, Lighting Designer
    David Van Tieghem, Sound Designer
    Lynn Landis, General Manager
    Renee Lutz, Production Stage Manager
    Tammy Scozzafava, Assistant Stage Manager
    James Calleri, Other

  • Arija Bareikis: Dana
    Kieran Culkin: Wilson
    Illeana Douglas: Alice
    Ann Harada: Nurse/Waitress
    Phyllis Newman: Paula
    Mark Ruffalo: Steven

“‘Clearly, I don't know how things work. I'm just wandering in the dark here,’ says a worried mother in the final moments of James Lapine's rich, prismatic new play The Moment When, making its world premiere in a cruelly brief run at Playwrights Horizons. This extraordinarily ambitious piece of writing dares to take the audience to similarly murky places, without bothering to put up the usual signposts or even making the expected dramatic explanations. It begins as a brittle romantic comedy about young New Yorkers apparently negotiating a one-night stand, but ends some two and a half-hours later wandering into far darker territory, even gently tiptoeing toward tragedy.”

Charles Isherwood for Variety, 2000

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